March 19, 2010

WIA St Charles: Arts & Crafts style: The unadorned truth

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Duration: 20 min., 34 sec.

Arts & Crafts, Mission, and Craftsman.

Do you know the differences? I did not. But after this session, I am now able to tell apart them apart on my own – somewhat, as many of the nuances escape me. Bob Lang did a terrific job covering the period – he is a walking encyclopedia about this movement, popular with many woodworkers. He “…got into this…” in the 1970s, has written books about it, and talks about it authoritatively; and he researched all 16 years of The Craftsman magazine, while working on his Interiors book.

What was striking: I learned that the style is almost unrecognizable today, from its origins in 19th century England. Although many of the names associated with the movement were familiar to me, I learned about the top designers or the time, starting with Gustav Stickley and his brothers. Bob did a terrific job illustrating the differences between Arts & Crafts, Mission, and Craftsman pieces – I hope I remember all the information, for I would like to design and make some pieces in one of these styles at some time in the (near?) future.

My hope is that this edited version of Bob Lang’s session will give you a sense of his depth of knowledge about the Arts & Crafts style. And that my editing reflects the true spirit of his presentation – all shortcomings in the video are my own.

If you get a chance, plan to attend one of the Woodworking in America conferences.

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Two marking gauges, one old and one new

I remember reading somewhere a long time ago that keeping your practice pieces will confirm the progress you have made. And I find this is true. Below is a photograph of my practice “bucket”, plus some of the more recent results of my hand-cut dovetail journey, with focus on very small joinery for very small boxes:

practice-bucket

My practice "bucket".

To me, it is fundamental to always keep the grain aligned, such that it flows seamlessly around the corners:

cherry-prctice-boards

I don’t care much for the round marking gauges, such as the Tite-Mark and all its incarnations. Enter the Marketplace in St Charles, during the Woodworking in America Conference. I bought the 4-inch Hamilton marking gauge – it is sold exclusively by di legno Woodshop Supply:

hamilton-gauge-ready

It takes but a few minutes’ practice to learn to hold the gauge properly, and it soon becomes second nature:

using-hamilton-gauge

For years I used the Stanley 92 butt marking gauge, because it cuts a beautiful line – but more and more it felt awkward to use it on thin boards. It felt like it was trying to  “rock” on the edge of the work piece:

using-stanley-92

The results:

marked-cherry-boards

Summary: Both gauges cut beautifully. But the Hamilton gauge gives much better tactile feedback; I can “feel” when the gauge is truly square to the face of the board, even with very thin work pieces. Maybe it is because the fence is considerably wider than the face on the older Stanley; maybe it is due to its much lighter weight. But I now mark with much more confidence.

With that this part of a process resolved, I really must concentrate on not cutting beyond that line.

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WIA St Charles: What SketchUp can do for you

Bob Lang at work during the session

Bob Lang at work during the session; photo by Al Navas

Background:

I tried it, and gave up. Then I tried it again, and gave up once more. But this session with Bob Lang opened my eyes to the true power of SketchUp. As a result, I will try it again; and I will apply myself in a more determined way. Why would I want to do this, if I use the eCabinet Systems software? For a simple reason: SketchUp has much more flexibility to design furniture; the main focus of eCabinets is cabinets made with plywood, although it is possible to design using solids – but that is a lot more work!

I now have SketchUp 7 installed on my laptop. When a proper time window is available, I will focus on learning the program. Who knows? I may be able to suggest to Bob a trick or two next time we meet. In the meantime, the best I can do is entice you to use the program with my write-up about the session. If my write-up contains errors, it is my fault; I took notes during the session, which I used as reference for this entry. Please, do not blame Bob, as he did a superb job convincing me to use the program.

My notes cover only the basics. However, Bob used a laptop and a projection system to demonstrate how to use all the basics to design a nice little table, as I show in the photo above. That was the best part, as I was able to see the power of SketchUp on-screen. It was a real eye-opener, and an eye popper to see the true power of the program!

Some important stuff to know:

  • What to practice, and
  • How to practice the stuff learned

Some things can be problematic. As a result, it is best to:

  • Learn all the tools in the program
  • Learn how to navigate, and how to model

Navigating:

  • Use the scroll wheel on the mouse; this is the best way to do it!
  • Set the crosshairs: From the Menu, pull down Window | Preferences | Drawing, and check Display Crosshairs
  • Turn on the Instructor: Window | Instructor
  • Learn to NOT draw anything; i.e., use the rectangle tool, or use Push/Pull to quickly draw a box
  • Learn to replicate
  • Import models from 3D Warehouse, and play with them
  • Draw joinery, to fully understand it
  • Make Groups, and also Components, to allow joining without disturbing edges/faces
  • Critical: Learn to Move items, and in particular how to pick up items
  • Use the Measurement window, and enter dimension(s) to get a line to proper length, for example
  • Select by dragging; note the different behavior when dragging left-to-right vs. right-to-left

Components:

  • Drag them from the Component window into the work area
  • Make copies of a component; these are unique, and can be modified, edited, and used as a new component

Applying the learned “stuff”:

  • Make “8th Grade” projects, to apply learned techniques
  • Learn the keyboard shortcuts
  • Turn on X-Ray vision to see, for example, tenons inside mortises
  • Use tenons to create the mortises in the legs; Bob showed how to do this (terrific!)
  • Re-size, to get and entirely new table. This creates a totally new cut list!

That’s it! I did not create video of this session. But now you and I can get busy, and start using SketchUp. And don’t give up – I promise I won’t this time. To help along the way, and keeping a promise he made during this session, Bob posted an entry on the Popular Woodworking blog, titled Woodworking in America — Arts & Crafts and SketchUp. In this entry Bob included links to SketchUp resources; I invite you to read the article, and to make use of those resources.

You really should plan to attend the next conference, in Valley Forge, PA.

lang-session

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