July 30, 2010

A first look at the new Popular Woodworking Magazine

The all-new Popular Woodworking Magazine - April 2010

I kept reading on the forums about people receiving their copy of the all-new format, the result of merging the old Popular Woodworking (PWW), and Woodworking (WW) magazines. I was getting…mildly upset I had not received mine.

That changed last night. Sandy brought in the mail late in the day. I won’t keep you waiting: In a nutshell, bottom-line, I like the new format!

First things first: I already liked both magazines, as each offered something different. Now that I have said it, I can get on with some of the details. With the online buzz, some people liking one or the other, comments on the forums about the pluses and minuses of merging two magazines that differed in style as much the two old ones, I eagerly awaited my issue of the ALL-NEW format. I like the content, and I like the format.

Quispiam vetus ( Something old):

I loved the black-and-white photos on Woodworking magazine; I liked the layout of the magazine, and also its content and lack of ads. The no-nonsense approach to every topic was always refreshing; and every single issue brought something new, as well as long-forgotten nuggets to this power-tool guy and incipient Neanderthal. Basically, “…no-crap reporting…”, according to the Editor. And quotes interspersed with other text – wonderful quotes! Would any of this go away in the merged format?

Popular Woodworking, on the other hand, appealed to me for the same reason it appealed to the larger audience. Great writers and woodworkers, from Cherubini, Walker, Flexner, Dunbar, Schwarz, the whole crew, always did their best to help me learn along the way, for many years. And, of course, the ads, which is fine by me. It helps pay the bills! But the old format appealed due to the variety of topics presented by, and for, woodworkers.

I followed the magazines’ blogs, read the online articles, and stayed informed with content that did not find its way into the respective issues.

Quispiam novus ( Something new):

New paper, glossy paper, ads. The same Editors, many of the same contributors, at least two new Contributors (I recognized Kari Hultman, our beloved Village Carpenter, as one of the new Contributors, and later realized she is also a new Editor, in Tricks of the Trade!). Of course, the pages also contain some great articles. What more could a person want in a woodworking magazine? In short, more of the same.

George Walker is back with another great article, Making Sense of Form; I bought his two DVDs, and my fascination with the topic continues, thanks to Walker himself (I met him at two of the Woodworking in America conferences). With Cherubini on sabbatical, Jerome Bias fills in with a wonderful article about Thomas Day, a free black man who “…was the most influential cabinetmaker in North Carolina…”; this is a wonderful article, and I enjoyed it thoroughly! Glen Huey presents a White Water Shaker stepback; this is one project I will probably tackle in the not-too-distant future – I love it (and, secretly, I hope I get to see this Shaker Village in October). Chris Schwarz wrote about plane maker Clark & Williams, and their basement operation. And Bob Lang wrote a wonderful article about How Tables Work, which brought memories of a table I researched and built for a client last year. Chuck Bender came back for an article featuring the William & Mary style; great stuff for me to learn. Kari Hultman wrote about Sunken Treasure, the recovery operation of very old tree trunks in Belize, Central America, that will bring 200-year old lumber to our shores. Bob Flexner wrote about An Array of Lacquers, which opened my eyes to this often used (and, sometimes, $%^$#) finishing material.

Whew! That is a lot of stuff to cover in one issue, folks. I wanted to give you a flavor for the extensive content, done well by terrific writers who are also gifted, experienced, and passionate woodworkers. One more thing: I know all but two of the authors (Bias and Flexner), and I know they are all passionate about their woodworking.

The new direction for the new magazine also includes a larger online presence, in the form of content that does not find its way into the printed pages, and in the social media. It will be interesting to see this grow, as the electrons convey the message down the fiber optic pipelines. I already see the greater involvement in Facebook, for example, waters into which I only recently dipped my toe. I look forward to the greater content on the magazine’s web site, sharing woodworking information to our heart’s content.

As I scrutinized the pages of this issue, it hit me that I never really paid much attention to the little boxes inviting you to “Go Online FOR MORE…” I have no idea what tinyurl.com is, and probably won’t find out. It seemed to be shorthand for links; I tried one and, voilá, it was a link to the Bookstore. A note to the Editor: I am too old to remember the number sequence; please change to something more pneumonic, like http://www.woodworkersbookshop.com/product/print-special-best-tricks-of-the-trade-january-2005/ . I am more likely to remember “…tricks…trade…2005…” instead of “…yj62644…”

Epitome (Summary):

The bottom line: I like the new magazine format. It has a good part of the feel of Woodworking magazine, and the (longer) familiarity of Popular Woodworking magazine. I never objected to the ads in PWW, but like the clean layout of WW. In the new format, I appreciate the articles seem to always (mostly?) start on the left-hand page – this is great layout! Overall, the quality of the new magazine is excellent. I am certain it will continue to get even better. I hope that, as you read this review, it will make you want to go out and get your own copy (or order online). That was part of my intent; but I also wanted to convey that, in my opinion, the woodworking community is likely to be engaged by the new format and the renewed focus in the online content.

Now, your turn:

  1. Do you subscribe to either, or both magazines?
  2. If you do not subscribe, will you buy a copy of the new issue?
  3. Have you received yours in the mail?
  4. If you have received it, have you read it?
  5. If you read it, please share your thoughts by leaving a Comment here. Thanks!

Al Navas

Slideshow: The Lie-Nielsen Hand Tool event at Popular Woodworking magazine, in Cincinnati

Download the slide show in Quicktime format

Sandy and I had an opportunity to take a mini-vacation. We slipped away to Cincinnati over the weekend, to attend the Lie-Nielsen Hand Tool Event at the Popular Woodworking magazine offices. On the way back we stopped in Hannibal, MO, on the banks of the Mississippi River, and played tourists for an entire morning.

I converted a group of photos I snapped into a slide show, and then created a short video from that slide show.

The show starts with one of two pairs of geese, and their babies, in front of the parking lot of F&W Media, the parent company to Popular Woodworking and Woodworking magazines. This was an amazing sight I had to share, as they allowed me to get very close. I was afraid one of the two parents would attack, so I gave them enough room. In our area this would be a very rare happening, as geese are much more shy, and guard their territory well.

I hope readers don’t mind me posting this, and think it is a duplicate of the wonderful post by Bob Lang, Senior Editor, Popular Woodworking. Please consider this as the unofficial record of the event, and Bob’s  THE OFFICIAL record (this is the link to his slide show). My thanks to everyone at Popular Woodworking for your hospitality!

It was great to see and meet so many fellow woodworkers and hand tool manufacturers in one place over two days. I congratulate the folks at Popular Woodworking and Lie-Nielsen for putting together this event – Sandy and I enjoyed it immensely! I had a chance to meet Thomas Lie-Nielsen, and to chat with Deneb, Linda, and Mandy. You will see them in action in the slide show.

It was also great to visit at length with the other manufacturers at the event: Ron Hock, blade maker; Jameel Abraham, of Benchcrafted fame; Ron Brese, maker of exquisite infill planes; Bob Zajicek, maker of superb layout tools, and sponsor of my blog; Kevin Drake, of Glen-Drake Toolworks; and John Economaki, of Bridge City Tools.

Of course, it was great to see Christopher Schwarz, Bob Lang, and Megan Fitzpatrick hard at work, too. Make sure to see all the bling on the window by the workbench where The Schwarz hangs out. You can’t miss the reflections from the flash. And Bob Lang was quite busy fitting tenons into mortises the entire weekend, when he was not taking photographs of others at the Event.

Did you have a chance to attend the event? If you did, let me know what you found interesting. I, for one, hope it can happen somewhere in the Midwest, as driving 1,600 miles or more over the weekend was a challenge. But we did get some needed rest in Hannibal, MO, on the return trip.

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First review: Moxon’s ‘The Art of Joinery’, with Commentary by Christopher Schwarz

'The Art of Joinery', by Joseph Moxon with commentary by Christopher Schwarz. Image copied from Woodworking Magazine's RSS feed.

I received my copy of this book yesterday, and I have already speed-read it twice. Now I can take my time, and leisurely absorb every concept and word I missed the first two times.

My verdict, in one word: Terrific! If you use hand tools, and you wonder how they were used 330 years ago, The Art of Joinery is a book you want in your woodworking library.

Christopher Schwarz does a brilliant job updating the text to something we can read in this century. Furthermore, his Commentary provides insight into Moxon’s explanations and thought. More importantly, Schwarz provides some insight where Moxon did not. For hand tool users, this book is a re-discovery of ‘stuff’ worked 330 years ago.

From the RSS feed:

… I decided I should get Moxon out of my system before I started wearing powdered wigs to work. So I’ve re-published Moxon’s sections on woodworking, which he calls “The Art of Joinery,” and I tried to make it accessible to a modern audience.

… This is not an academic work. It’s an attempt to make a very important woodworking book accessible to craftsmen today. So why should you read Moxon?

… Well if you are interested in hand work, it’s fascinating to see what the tool kit of the time was like and how it was used. I developed a deep respect for dividers after reading Moxon, and I find myself using them more in my work. It might make you rethink your sharpening lubricant. Or even how you use a block plane…

For me, personally, came the satisfaction to learn that it is OK to use the jointer plane “upon the traverse” (that is, cross-grain). That is exactly what I did when I flattened my workbench top. And that was the first time I used a hand plane for such a huge job. Thank-you, Joseph Moxon, and thank-you, Christopher Schwarz, for bringing this book into this century, and for making sure I was reassured in my technique.

One mental image remains: Christopher Schwarz in Berea, wearing a powdered wig.

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