May 21, 2012

SketchUp 7 to design furniture, and TechSmith’s Camtasia Studio 6 for screen capture

Download this episode in Quicktime format
Duration: 3 mins., 4 sec.

Baby steps.

As I write this I am reminded of Zoe Maria, our #6 granddaughter. She will have her first birthday in two weeks. But two weeks ago she started walking, one step at a time, then two, and now will go all the way across the living room before throwing herself on the floor; or rushing to catch my leg before she throws herself on the floor. And so it is for me with both SketchUp and Camtasia Studio.

What I show in this video is old hat to those of you who use SketchUp. However, every now and then I share with you something new in the shop – this time I show off what I did with SketchUp 7, and a short screen capture I did with TechSmith’s Camtasia Studio version 6. I am a newbie with both of these programs, but I feel like I have accomplished a lot, just by getting this far.

I owe thanks to Bob Lang for convincing me to give give SketchUp a try one more time. I attended his SketchUp session during Woodworking in America in St Charles, Ill. a few weeks ago. In 90 minutes Bob showed me – no, he proved to me – that I really must use this nifty program to design furniture. Bob did magic on the screen when he showed the audience how to make a little table, complete with all the joinery! Those of you who have read my blog for a while might remember I have used eCabinet Systems software to design cabinets. But that program mainly uses plywood, using nesting and CNC machines; designing with solid woods requires a little harder work.

As I found a little time to relax over the weekend, I fired up SketchUp and launched Bob’s 21st century workbench model, which I downloaded from the Popular Woodworking area of Google’s 3D Warehouse. And, while playing with the 3D model, it struck me that I should also try my brand-new Camtasia Studio, version 6.

Although I made several mistakes in this video, I share with you two things: First, even though I know very little about both SketchUp and Camtasia Studio, I was still able to produce a short video! And second, it is OK to make errors, for we all learn from the experience of others. The best thing to come out of this: In a few weeks I will chuckle when I watch this video again, for I will realize I probably should have waited until I had more experience under my belt.

I will use this particular video as a reminder of two things:

  1. Where I was on the learning curve with both program on September 2009, and;
  2. That, no matter what, using the programs on a regular basis will make me better. Practice makes better, or something like that. I will be able to see my own progress!

Enough, then, and on with the show. Please let me have your feedback and let me know what you think, either via regular e-mail to sandal_woods@bbwi.net, or via the e-mail tab on the menu for the blog. It is OK if you think I should just give up on this effort. But I won’t reject nice, kind words of encouragement.

My special thanks to Betsy Weber, TechSmith’s Chief Evangelist, for her generous support aimed at furthering the video enhancement of my blog entries. If you are interested in screen capture for your computer, I suggest you read her wonderful blog, The Visual Lounge, and also the TechSmith web page, to learn about their terrific products.

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The stand-up desk: Defining the split tenons

Even as I started the mortise & tenon (M&T) joinery work on the front apron for the stand-up desk, I had not yet decided how to split the long tenons in two. For the side aprons, and the apron on the back, I had done them on the band saw, with great results:

split-tenons-on-bandsaw

The following were the results – perfect fit, with some wiggle room to allow for wood movement:

split-tenons-on-bandsaw-2

This time I wanted to try the new Gyokucho Japanese saw I bought from Di Legno Woodshop Supply in the Marketplace, at the Woodworking in America conference two weeks ago. And so I did – and liked it very much, as it kept me from having to raise my left arm above my shoulder:

dividing-tenons

The kerf is a very thin 0.012″ (twelve thousands of an inch). I also used this saw to remove the waste on the outside corners:

sawing-edge-of-tenons

Chiseling the waste was easy enough, as I sharpened all the chisels just before heading to St Charles, Ill.

I will continue working on the tenons, to get piston fit into the mortises. In the meantime, I worked on an ancient rabbet plane this afternoon, sharpening the iron and flattening its sole. I will try it on the cheeks of these tenons, after some practice runs on scrap quarter sawn white oak.

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A simple stop for the fence on the router table

Stickly-style leg

I am making a stand-up desk with thick legs. And to make the legs I am using a technique first developed by the Stickley brothers one century ago; they developed the technique to make legs that showed quarter-sawn oak all the way around. This technique was documented very nicely in the November/December 1996 issue of Fine Woodworking magazine #121 (Stickley-Style Legs, A router bit and two jigs yield quartersawn figure on all four sides, by Patrick Nelson). I am also using a modern router bit, and walnut instead of quarter-sawn white oak.

Click on all images to enlarge them.

The Stickley brothers (Albert & Gustav) used shaper bits not commonly available today:

stickley-leg-profile
From the FWW magazine article:
On the left, the Stickley version
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on the right Patrick Nelson’s profile
— very similar to mine —

The modern equivalent of the joint is typically made with one router bit in two passes, at the same fence setting, and without changing the height of the router bit – the inside face of the boards is always facing down on the router table:

  1. The first pass is done with each of the four sides flat on the table, and
  2. For the opposite edge on each board, the pass is made with the board on its edge.

The following is the router bit I use for this operation – the Sommerfeld Tools lock miter bit:

45deg-lock-miter-bit 45deg-miter-bit

The diagram above, and the right, illustrates the perfect setting for the router bit height: The edge of the board will be razor-thin, and the interlocking teeth will be centered across the boards. Depending on the wood used and the sharpness of the router bit, the edge of the boards will have a razor-thin edge, which is very fragile. If the wood has a tendency to splinter, or if the router bit catches even slightly, there is a chance that the edge will be damaged and a large chip could result in an edge that must be trimmed (best case), or a new board machined (worst-case scenario).

To minimize the risk of damage I built a fence stop, which allows me to set the fence to the deepest cut  with great accuracy – i.e., with the fence as far back as possible to result in a razor-thin board edge. With this stop I can now make each of the cuts in 2 or 3 passes, with the final pass very shallow. The best part: I know the fence will always be at the same depth of cut, regardless whether I am making the pass with the board in the horizontal, or in the vertical position.

Now some details:

My router fence is the Sommerfeld fence. It pivots on the right-hand side; it is anchored with a retractable pin. The left-hand side of the fence is locked with a large knob; moving the fence farther back, or closer to the front, allows deeper or shallower cuts with the lock miter bit. As a result, I needed a fence stop only for the left-hand side of the fence.

fence-stop-5

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In the photo on the right I show the stop against the fence; I am  looking from behind the fence, toward the right-hand side of the table:

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fence-stop-4

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In the photo on the left, the fence stop rides on the T-slot anchored to the router table.

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fence-stop-3

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In the photo on the right I show how the micro-adjustable stop can be secured using a nut against the metal insert I used to hold the bolt:

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I am very happy with this fence stop. It will allow me to machine each of  the boards that will become the desk legs in several passes, with minimal risk of blowing the edges of the boards.

In a future blog post I will show in detail how I make the legs using a century-old technique. But, instead of using quarter-sawn white oak, I will use walnut.

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