July 30, 2010

WIA St Charles: Keynote address by Tom Moser – Artistry in Wood

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Duration: 17:39 minutes

From the abstract provided as a hand-out during the Woodworking in America Furniture Construction and Design Conference in St Charles, Ill.:

…In this slide-filled lecture, Tom Moser relates the process of discovery that led him to furniture design, and how the Shaker community located near his first shop in New Gloucester, Maine has influenced his work.

Family, personal, and company memories flowed in Mr. Moser’s presentation to an audience of several hundred at the banquet held during the conference. He was funny, affable, and down-to-earth; a perfect gentleman and the consummate businessman. The slide show journey brought the audience from the humble beginnings of Thos. Moser, Cabinetmakers, to the enormous success it is today.

A personal note: The description of the Moser’s travels in Asia took Sandy and I back in time. Immediately following the dinner and speech we were lucky to run into Mr Moser and his wonderful wife Mary in the hallway. In passing them I asked him a short question about a certain locale in Asia, not wanting to detract from their conversation with someone else. His eyes lit up, and we spent the next 20 minutes together, reminiscing with relish about locales and details from our parallel journeys almost 20 years apart. This was a wonderful end to a terrific speech about the exciting life experience of the Mosers.

My hope is that in this edited version of a one-hour speech you are able to also glean into the life the Mosers, and the company they have built. It is a great journey, filled with great successes and a few setbacks.

I also hope that the story of Thos. Moser, Cabinetmakers, will get you in the mood to plan on attending the next Woodworking in America Hand Tools and Techniques conference, coming up soon in Valley Forge, Pa. October 2-4.

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WIA St Charles: Composing with wood grain

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Duration: 14 min., 55 sec.

Grain. Direction. Ebonizing and grain texture. Change of direction. Sculpted curves and flow. Building process. Flow. Chatoyance. Sam Maloof and inspiration… Woodworking in America, St Charles, Ill.

Brian Boggs uses “…the wood’s grain…to complement the overall piece…”  And he makes the components of his chairs flow together, to make a single statement. He uses curves in the design, and the grain of the wood, as part of the design.

In this session I gained better insight into things I should be doing with grain as part of the overall design of a piece of furniture. Does the grain direction work where the leg meets the stretcher? Or does it detract from the overall design? Is it supporting a curve, of flowing against it? And so on.

Using a few examples of chairs he shared with the audience, I focused on highlighting a few key ideas in the edited video of Boggs’ session. As a result, I hope to have caught the spirit of composing with the grain, in the way he intended to convey in his session. If I did not, it is my fault. But listening to him I realized he loves making chairs, and he loves composing with grain as he designs.

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WIA St Charles: 20th Century furniture – Why you should like it

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Duration: 15 mins., 59 sec.

A note about the video: The start is rough, as I struggled to get the tripod set up, even while the camera rolled (running from one session to another…). In the end I decided it was best to keep the camera on the slides, rather than panning back and forth. I hope you won’t get car sick watching the first minute or so. Also, although audio keeps playing, I left a black video gap from about 1 minute, to 1 min., 25sec., to eliminate jerky camera movements and focus…

I love the sheer simplicity of Shaker furniture. Greene & Greene appeals to my senses, even if I don’t know how to make a G&G piece. I like the look of furniture crafted in pine, and in native woods. I love the looks of old furniture. Until this session, I just did not understand contemporary furniture and, even less, how it might be shaping today’s work.

I have extracted 15 clips from a 92-minute video I filmed during this presentation. I hope it is representative of what we saw and heard.

Dr. Oscar Fitzgerald delivered a presentation that opened my eyes to contemporary furniture design. He used a terrific set of slides that brought the audience from furniture design at the end of the 19th century, to the most recent important pieces of the twentieth century. For me, this was a journey of discovery, for I did not understand its importance.

Dr. Fitzgerald delivered on the pre-conference announcement, which read in part:

In this lecture, you’ll follow the history of contemporary design during the last 100 years, from mass-produced machine-age pieces to the iconoclastic work of individual makers that have change woodworking, such as George Nakashima, James Krenov, Art Carpenter, Sam Maloof and others.

I invite you to read Dr Fitzgerald’s bio at the Presenters page of the conference announcement.

Now that I understand the importance of 20th century design a little better, I hope to study more about it. And maybe I will become better at design, in the process. This is but one example of the importance of these conferences; they open our eyes to previously unexplored areas, with many possibilities. It is my wish that many of you also have an opportunity to attend future events, for they are a terrific way to learn, so that we may move forward.

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